A New Coat for Anna
Written by Harriet Ziefert and Illustrated by Anita
Lobel
Key Scriptures:
Matthew 6:19-21 (NNAS) "Do not store up for yourselves treasures
on earth, where moth and rust destroy, and where thieves break
in and steal. {20} "But store up for yourselves treasures
in heaven, where neither moth nor rust destroys, and where thieves
do not break in or steal; {21} for where your treasure is, there
your heart will be also.
John 6:5-14 - The story of the little boy sharing his lunch
at the feeding of the 5000.
This delightful tale of a daughter's patience and a mother's
sacrifices in the process of obtaining a new coat was a natural
follow-up to our study of Warm as Wool. We reviewed the process
of how a garment is made - from raw wool to finished product
- using various means: The "Mimi's New Sweater" sequencing
activity from the SheepUSA web-site and some neat teaching materials
provided by Pendleton Wool.
We had lots of opportunity for discussing "real life"
happenings as related to this book. Justin had been needing a
new coat, and we had the opportunity to shop for and buy one
for him, just as we were beginning this book! While we were shopping,
the kids decided that they wanted to write their own story about
Justin's new coat. Claire proclaimed that it shouldn't start
with "Once upon a time" as it would be a true story
and not a fictional one! Our original attempt at their story
was not particularly successful - it came out sounding very stilted
(not as if the story was their own) so Jerry suggested that we
try again. He sat down with the kids and the tape recorder and
had them tell him their story. You can read a partial
transcript of this storytelling session by clicking here.
After they finished telling the story, Claire also read aloud
Charlie Needs a Cloak and Pelle's New Suit and we compared these
stories (and the process involved) with Warm as Wool and A New
Coat for Anna. We noted that in some of the stories, one person
did all or most of the work and in others, a whole series of
workers was involved. We compared the making of Anna's coat (and
all the people involved) to the making of my wedding gown and
how many ladies had been involved in that process. (My maid of
honor designed it; my mother made the basic dress, and another
seamstress friend did much of the embellishment and final fitting
work.)
We also talked about the purpose for measurement and patterns
and how we need to use resources wisely (stewardship). We remembered
how Grandma had taken Claire's measurements in order to make
her Christmas dress and be certain that it fit properly. We also
remembered the process we went through when I made the children's
lamb costumes for the Christmas program at church: How I measured
carefully; how I used some inexpensive fabric to figure out the
best way to make their hats before using the final fabric, etc..
We were also in the process of finding a new bed for Claire and
showed how important measurement was when we determined that
the bed we were considering would not fit in her room! Once we
made the decision about the bed, we also discussed the importance
of making wise choices and being a good steward of resources
when choosing the linens (choosing something that she would like
even as she gets older, not something that she would tire of
quickly).
We also enjoyed a paper weaving activity with this book. As
we did this activity, we had a brief introduction to the terms
warp, weft, shuttle, and shed. The kids remembered this paper
weaving activity a couple of months later when we visited the
Children's Museum in Houston and they had the opportunity to
do some weaving there.
We placed our story disk for this book on the region of Scandinavia
rather than on a specific country. Throughout our time of studying
this book, I had been trying to determine (from various things
mentioned within the book and some outside resources) where we
should place the disk, and never found an answer that fully satisfied
me. However, in the process, I did learn a good bit more about
WWII. One of the resources that I came across in my search was
an autobiography by Antia Lobel (the illustrator) called No Pretty
Pictures. Although not a book for young children, it was helpful
to me as an adult to read her perspective as a child who was
greatly affected by the war. (It also helped me determine that
Sweden was not the setting for A New Coat for Anna as Sweden
had remained neutral and therefore did not experience the bombing
damage that was indicated through the illustrations.) Learning
that lingonberries are a traditionally Scandinavian food led
me to decide on the region in general for the story disk.
We also talked about how Anna's mother sacrificed some of
her precious earthly possessions in order to provide something
her daughter needed. We talked about how this was like laying
up treasures in heaven, because the "nice things" that
Anna's mother sacrificed were earthly things that could be lost
or stolen or ruined, but how the memories of making the coat
and how her mother had sacrificed in order for her to have it
would far outlast the "things" that were sacrificed
to obtain the coat.
When Claire was ready to do her journal entry illustration
for this book, she showed some neat creativity. Not only did
she do a lovely job of copying some of the illustrations from
the book, she also decided (on her own) that she wanted to have
her picture include matching of the items bartered to the step
in the process. You can see her
journal entry and illustration here.
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